Bret Colin Sheppard is the artist-type from New Mexico who was so massively impressed by Ken Johnston that he became Johnston's publicist--probably without compensation, although we don't know that for sure. This blog took a critical look at what Sheppard and his squeeze Karen Patrick came up with last June, and a lively discussion including comments from BCS himself ensued. So there's no need to flog the dead horse of Sheppard's "lunar anomalies" here.
Sheppard has now self-published a 104-page book, Flyover Tsiolkovsky Crater: A Secret Base on the Moonnote 1. I just had to giggle when I came to this bit:
This is Apollo 12 Hasselblad image AS12-47-6890, and that little white blemish in the large crater lower right is what Sheppard thinks is a balloon. He even wonders if Apollo Lunar Modules benefited from a secret balloon-assist to ensure gentle touchdowns. Hilarious. I like to think that my readership is sufficiently au fait with fundamental principles of physics that I don't need to spell out why the idea of a balloon on the Moon makes me giggle. Hint: There's no atmosphere on the Moon.
"Tsiolkovsky... Okay, I've got it"
But the central thesis of the book is that Apollo 14 shot 16mm footage of crater Tsiolkovsky which revealed a lunar base, exactly as Ken Johnston has claimed. Sheppard's thesis fails, however, because he can not overcome the following objections:
1. The entire 01:29:12 film is available online and Tsiolkovsky does not even have a walk-on role.
2. An index map identifying all Apollo 14 terrain filming targets is also online. Tsiolkovsky is the large dark blotchy crater very far to the lower right.
3. Modern digital images of Tsiolkovsky, from Lunar Reconnaissance Orbiter, show no lunar base, even at the best resolution of 0.5 m/px (the images Sheppard uses are about 100 times worse.)
4. The dialog Sheppard considers clinches the case does not clinch anything. Ed Mitchell says "..that's Tsiolkovsky. Okay. I've got it." But that was during only the third lunar orbit, and Mitchell was not shooting film but merely sighting in the navigation sextant.
5. Apollo 14 never flew directly over Tsiolkovsky. The crater is at latitude 20.4° S, and the orbital inclination of Apollo 14 was 14°. The Apollo 14 crew captured Tsiolkovsky in four still frames, all of them very wide angle. Here it is in frame 10301 (with brightness boosted,) its very steep central peak catching the sunlight in a way that a layman might think was a sign of life. This shot was taken after the lunar surface mission was over and they were headed home.
6. Sheppard keeps insisting that the navigation sextant was an integral part of the 16mm Data Acquisition Camera, but that's not true. The normal use of the sextant was through an eyepiece--an adapter was provided to attach the DAC if needed. This is plainly stated in a handbook and several examples of this are seen in the film.
Karen Patrick is credited as editor of this garbage. In which case, I hold her responsible for the following text, which I swear I have transcribed exactly as printed. I'd cite a page number but I can't because Karen forgot to provide pagination:
"The image was analized for any known possibilities of mechanical artifacts and found to be part of the image and not an affectation of poor scanning by a proffessional photographer. It is truly a subject in the image as oposed to a reflection. It is exactly what it looks like, an un-natural structure or engineered structure as oposed to natural geological lunar formations on the surface due to the array which woulld be considered beyond coincidence in nature. In the same way a crop of corn would be considered engineered on Earth."I make that five keyboard errors plus one incomprehensible sentence. Since we live in an age of self-publishing, I guess we have to brace ourselves for more and more of this kind of crap.
Update: Was Karen Patrick dreaming of Paris when she composed this crap?
A page from the book. Who knew they had boulevards at the Space Center?
Update, late April 2017
The book is now listed OUT OF PRINT, a mere four months after its publication date. I can't help wondering if Bret Sheppard recalled it, after the devastating errors were pointed out by this blog and others.
 ISBN 978-1541162624