Hoagland on SiriusXM with Art Bell, last night

        As I noted in a comment yesterday, I'm not willing to subscribe to SiriusXM so I didn't hear the show. I combed through the 25-page discussion thread on BellGab, and gleaned a pretty good idea of what went on.

        The BellGab thread consists of comments and reactions from Art Bell fans as they listened to the show. What stands out a mile is that 100% of them think Art Bell is God, and 90% of them think Hoagland has no credibility whatsoever.One opinion was "Art's fine; I just object to Hoagland as a guest, ever. The man's a fraud" (Sardondi.)

The images that never got discussed

        A page of images was provided for listeners to follow along with.  I loved the captions to the Inaccutron images -- presumably written by RCH himself.

image credit: Richard C. Hoagland

CAPTION: Enterprise Mission Torsion Field measurements of the Annular Solar Eclipse, May 20, 2012. Contrary to ALL “current physics” expectations, just before “first contact” the modified Accutron tuning fork detector “went nuts” — exhibiting ranges of frequency deviation from the standard ~360 hertz vibration rate exceeding 1000%!
The theoretical explanation behind these “extraordinary frequency changes” — when the Accutron readings should have maintained a simple “flat line” throughout the entire Eclipse, according to all current Physics models — is currently under intense investigation.

MY COMMENT: There's a little note in red letters at the bottom: "Frequency decreases vertically in this display." Well, it clearly does not, since a down-spike is labeled as 361.61 Hz and an up-spike is labeled 326.25 Hz.  So Hoagland presents a data trace that is obviously mis-labeled, and in which all the potentially interesting parts go off-scale, and he calls this science??? As for " currently under intense investigation" -- yeah right. Intense since May 2012?

image credit: Richard C. Hoagland

CAPTION: Enterprise Mission Torsion Field measurements of the striking “Hyperdimensional Effect” on Earth from Venus “transiting the Sun” — June 8, 2004.
Note the striking asymmetry in the detector response — with ALL the sudden frequency deviations taking place as Venus “moved off the Sun” — in striking contrast to the “zero changes” that occurred when Venus began its Solar Transit, several hours before

MY COMMENT: Note the fact that the most pronounced frequency excursions happened when the transit was all over. Also that, once again, his data is off-scale and would be rejected at peer review. He has no right to comment on "zero changes" at the start of transit, since the sun had not risen at Coral Castle then. It did not rise until about an hour before third contact. This is junk.

        There was a third image -- the data from Teotihuacan 2009 -- but this was so badly botched that the caption was the same as the 2012 solar eclipse one.

        Reading the BellGab thread, it seems that Art Bell never got around to asking about these pathetic examples of Hoagland's incompetence. Perhaps it's just as well -- it's obvious that Art didn't give Hoagland the free ride that he's been used to from that rhetorical lightweight George Noory.

Update
        Commenter Dee has helpfully pointed me to a Youtube version of last night, which I've now (mostly) reviewed. I fell off my chair at this one:

00:58:01  "I am sick to death of my stupid critics saying I'm nuts because they won't look at the data."

        I might say I'm sick to death of stupid Hoagland saying his critics won't look at the data because he won't look at the criticism.

        Regarding the Surveyor 6 images, which occupied most  of hour 1, I invite everyone to look at this image, which shows the original orientation of the "dome" picture. Hoagland, of course, didn't show it that way because it explains what we all see. Bear in mind that the image was transmitted as a vertical scan at very low bandwidth. THE DOME DOES NOT EXIST.

        And by the way, Image #1 in Hoagland's set absolutely does show contamination on his scanner glass. It's as plain as day.